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October 2020 at Wellington St Projects

Sally Anderson 'crying ceiling, mountain shelves'

House Hold Me

Sally Anderson

Exhibition Opening
Wednesday October 14th

Exhibition continues
October 15th –  25th

Gallery hours
Thursday to Sunday 11-5 pm

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There are many ways we remember, occupy space and anticipate situations. House Hold Me uses dualities (foreground/background, floating/falling, verity/mendacity, interior/exterior, remembering/forgetting) to reinterpret understandings of familiar spaces and situations.

These painterly works use intuitive colour-play and suggestive architectural motifs within abstracted landscapes to destabilise rational delineation of space, perspective, emotion and association. Deliberate metaphoric reference to still-life and landscape, both experienced and anticipated, are suggestive of language and thought, presence and absence.

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Image details: crying ceiling/mountain shelves, 2020, Acrylic on board, 80 x 40 cm

 

 

September 2020 at  Wellington St Projects

Harriet Body, Body Bark, Kudos

Sealed Earth

Harriet Body

Exhibition Opening
Wednesday September 16th

Exhibition continues
September 17th –  27th

Gallery hours
Thursday to Sunday 11-5 pm

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Beginning On 1 July, 2020 and finishing on 30 June, 2020 I underwent a daily task of repeatedly grasping clay within my hand. The resulting ceramic installation titledSealed Earth consists of 2020 individual ‘grasps’ and behaves as a catalogued index of the movement of my creative body through a time period of one financial year.

Creating Sealed Earth was never intended as an imposition. It was not meant as a test of endurance, nor to enslave me to my own creative process. Rather, the task became a gentle accompaniment to my every day routine – a log book was kept and days missed were acknowledged and recorded.

My art practice often involves me imposing sets of rules and parameters upon my creative process. The parameter of one financial year for Sealed Earth allowed me to examine how my art-work, being concept-based, can exist in a “real-life” economy and thus the resulting ceramic installation also becomes a survey of my productivity as an artist.   

I will also be exhibiting two new paintings, Sticks and Stones One and Two, made from hand-made pigment from porcelanite rocks on washi paper, also hand-made during a recent masterclass at the Awagami Papermaking Factory in Tokushima, Japan.

There will be an essay written by Chloé Wolifson available at the exhibition opening.

 

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Image details: Sealed Earth – June, 2020/15, the results of grasping clay daily over one financial year, stoneware with terra sigillata, dimensions variable

 

 

August 2020 at Wellington St Projects

JamesLieutenant2

Laminate

James Leiutenant

 

Exhibition Opening
Wednesday August 19th

Exhibition continues
August 20th – August 30th

Gallery hours
Thursday to Sunday 11-5 pm

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The exhibition Laminate is a product of collecting, archiving and translating. This new series of paintings and screen prints by James Lieutenant grew from the process of collecting litter. Tiny pieces of indiscernible debris become large, highly detailed images that sit somewhere between abstraction and figuration. Scale becomes disorientating and distorted, offering no solid reference to place these objects in reality. The surface and texture of these highly detailed works becomes the focus, with specks of dust and dirt enlarged to an unearthly size.
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Image:
Found Black Rubber with Dirt Pattern, 2020
Acrylic on Canvas
80x80cm

July 2020 at Wellington St Projects

 

Ugly Angry #9, 2013_14

 

UGLY ANGRY

Rafaela Pandolfini

Exhibition Opening
Wednesday July 22nd 6-8pm

Exhibition continues
July 23rd – August 2nd

Gallery hours
Thursday to Sunday 11-5 pm

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Ugly Angry is the second part of a three-part series. Through photographic, video and sound installation the work focuses on latent anger that lies beneath the surface. Because of my complex relationship to anger I look at Jo Spence and Rosy Martins’ ideas of phototherapy and reconstruction when defining my methodology in Ugly Angry. I continue to look to the approach of reconstruction through an examination of Mike Kelley’s work, in particular through his large–scale piece Day is Done (2020/05) and his reimagining of events via sound and video installations. I also refer to Jean Luc Godard’s editing techniques to explore ideas of audience interactivity. I employ stereotypical representations of femininity to depict women and anger, and compare this technique to Monika Tichacek and her work Lineage of the Divine (2020). Ugly Angry sees a very different style of movement used to convey emotion, which is inspired by Yvonne Rainer and her seminal piece Trio A. While I am physically present in this work, I still use the camera, costume and a subject to create distance and remove myself from focus.
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Image info – Ugly Angry #9, 2020/14, 26.5 x 40cm, semi gloss photo paper, ed of 3 + AP

 

 

June 2020 at Wellington St Projects

tempe

The View

Eleanor Louise Butt
Ellen Dahl
Lydia Dowman
David Manley
Scott Morrison
Naomi Riddle
Talia Smith

Exhibition Opening
Wednesday June 24th 6-8pm

Exhibition continues
June 25th – July 5th

Gallery hours
Thursday to Sunday 11-5 pm
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Curated by Talia Smith

“The landscape functions as a mirror and a lens: in it we see the space we occupy and ourselves as we occupy it.”
Joachim Koester

The View brings together seven emerging artists whose practices examine the often-tenuous relationship between man and the land we inhabit. Belonging, comfort, home, a resource – the landscape and our relationship to it can be interpreted in many ways, with the passing of time it has come to bear these physical and psychological marks. The marks of what has come before and what will come after.

From explorations of the unexplored neighbourhood to modern day ruins to the tension within the landscape, this exhibition aims to present seven different ‘views’ of the landscape that each of these artists experience.
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Image details: Lydia Dowman, 34° South, Pigment print on photo rag paper, 2020

 

 

May 2020 at Wellington St Projects

Screen Shot 2015-05-21 at 8.46.06 pm

 

BIG DAMN TRAGEDIAN

JONATHAN MCBURNIE

 

Exhibition Opening
Wednesday May 27th 6-8pm

Exhibition continues
May 28th – June 7th

Gallery hours
Thursday to Sunday 11-5 pm
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Statement

In McBurnie’s latest works, the melodramas unfolding appear to be imitating the melodramas of life. Or are these apparent parallels merely coincidence?  The art gallery is transformed from a site of cultural significance and veneration into an arena of heaving, steroidal masculine bravado and genetically-modified, cosmetically-enhanced vulgarity of the commodified feminine, all clashing for the top spot in the next art ‘event’. Here, the art event closes in on the narrative absurdity of the comic book event, which tends to feature a more robust, end-of-the world crossover appeal than its more cultured, but depraved uncle, the fine arts. Big Damn Tragedian is narrative voyeurism for a vacuous, doomed generation.
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Image details: Flex Low, Sweet Charriot (get ze Chopair)2020, Ink, watercolour and gauche on paper, 575 x 440 mm

 

 

April 2020 at Wellington St Projects

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UNIFICATION

Bruce Reynolds

Exhibition Opening

Wednesday April 29th 6-8pm

Exhibition continues

April 30th – May 10th

Gallery hours
Thursday to Sunday 11-5 pm

Exhibition Statement

A visit to the silk road invites a reappraisal of the archaic. The perspective gained of time and space between Rome and Beijing evokes an awareness of the complexity of history along that geographic course of deserts and mountains where one century seems as relevant as another, marked by flourish or devastation.The carriage of the past into the present has involved the incorporation of cast notes and fragments.Notations, carved in the negative, are  gathered from diverse and distant sites, observations from the Mediterranean and China seas, hybridized creatures alluding to what is written and yet to be said. They constitute a response where material can suggest reorganisation and a further consideration of how things came to be so complicated.BiographyBruce Reynolds grew up in Canberra, studied in Melbourne (VCA) and is based in Brisbane, where he resumed lecturing (QCA) after travelling widely and working at the British School at Rome. Last year, in response to work exhibited at the Museum of Brisbane, David Malouf said of his work”….All this visually striking, and in its mixing of places, times, cultures, speaks strongly, and wittily, for the mixing and matching of a late or colonial culture that is also very boldly itself. What gives these works their haunting beauty (we might think of Keats) is the sense we get of their having been unearthed and preserved; dug up out of a past that is ‘just yesterday’, and in being frozen or fossilised is still close to what once was life and for the artist, a living and lyrical relic of his own life.”Image: Man of Letters  2020 , gypsum cement, 86 x 60 x 18cm

 

March 2020 at Wellington St Projects

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Some Rocky Socket

Deb Mansfield

Exhibition Opening

Wednesday March 4th 6-8pm

Exhibition continues

March 5th – 19th

Special event

March 19th

Artmonth 2020 Chippendale precinct artbar hosted by Wellington St Projects

Gallery hours
Thursday to Sunday 11-5 pm

Exhibition Statement
Some Rocky Socket is a project that brings to light the artist’s and her family’s sea-faring history. Mansfield, who worked as a sailor between 2020-2020, has created with Some Rocky Socket a body of work about her Grandfather, who was a Captain in the British Navy dismantling ocean mines post-WWII, and in later years, designing sea craft.
Using photographs from the family archive, Mansfield has crafted three hand-woven photo-tapestries, replicating an ocean-mine being destroyed/detonated at sea, a portrait of her Grandfather (who bears a striking resemblance to the artist herself), and a design for a submarine launched MiG-25 Foxbat – a fantastical idea that did not get realised until well after the Captain’s death.
Some Rocky Socket continues Mansfield’s research into island and ocean geographies – as a way of investigating the nature of boundaries and exploratory travel.

 

Its also Wellington St Projects 2nd Birthday! come and celebrate with us!

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale, 2020

 

November 2020 at Wellington St Projects

 

RETRIEVAL_invite

 

RETRIEVAL

Jack Banduch and Nichola Palazzi.

Exhibition Opening
6 – 8 pm Wednesday November 12th

Exhibition continues
14th – 16th October

Gallery hours
Fri 12-6pm
Sat 12-6pm
Sun 12- 6pm

RETRIEVAL seeks to navigate the imposed line of division situated between subjectivity and objectivity. An exploration of the relative, interconnected nature of condition and consequence, what it is to seek, perceive and retrieve form and value through experience and the photographic image.

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale, 2020

 

 

October 2020 at Wellington St Projects

 

Genevieve_Reynolds_invite

 

Save As

GENEVIEVE REYNOLDS

Exhibition Opening
6 – 8 pm Wednesday October 15th

Exhibition continues
17th – 19th October

Gallery hours
Fri 12-6pm
Sat 12-6pm
Sun 12- 6pm

Overlapping layers of translucent paint obscure and reveal earlier compositions, forming tunnels leading into the work’s history. The resulting forms protrude and recede, oscillating between reading as positive objects and holes. Each work is based on a preliminary photoshop drawing, software that mimics the process of layering paint. Translating the compositions from intangible, infinitely reproducible, virtual jpegs into physical, handmade objects is an attempt to reclaim visual experience for the material and three dimensional.

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale, 2020

September 2020  at Wellington St Projects

 

Chinese Checking invite

 

Chinese Checking

MATT BROMHEAD

Exhibition Opening
6 – 8 pm Wednesday September 17th

Exhibition continues
19th – 28th September

Gallery hours
Fri 12-6pm
Sat 12-6pm
Sun 12- 6pm

You are invited to attend Matt Bromhead’s solo show ‘Chinese Checking’. An exhibition of new painting and sculptural works at Wellington St Projects.

Chinese Checking is built on the premise of positive tension; it aims to achieve a certain posture through inherently opposing forces and materials. It chronicles a relationship between attraction and repulsion, distance and sameness, and follows the dance of two entities that swirl around each other in order to achieve victory in the game.

 

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale, 2020

 

 

August 2020 at Wellington St Projects

Chris_Dolman_exhibition

 

Empty Vessels, Awkward Advances

CHRIS DOLMAN

Opening night
6-8pm Thursday 28th August

Exhibition continues
29th – 31st August

Gallery hours
Friday 12-6pm
Saturday 12-6pm
Sunday 12-6pm

A durry butted out in a perfectly cooked egg. A black and white stripped pot with a name of Beetlejuice. A painting of a geometric void with a garden hose nose. Enter the world of Chris Dolman.

Wellington St Projects is pleased to present Empty Vessels, Awkward Advances, an exhibition of new works by the Artist formerly known as Christopher.

The opening night will double as a launch for Dolman’s new website, www.chrisdolman.com with a small visual publication on the Artists recent practice, and accompanying essay by Chloe Wolifson.

 

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale, 2020

 

 

July 2020 at Wellington St Projects

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Uncanny Residues

TULLY ARNOT

Exhibition opens
WEDNESDAY July 23rd
6-8pm

Exhibition continues
July 25th – 27th

Gallery Hours
Friday – Sunday
12-6pm

 

Through subtle alchemical shifts, Tully Arnot produces works which reinterpret existing understandings of everyday objects, their functions and our relationships with them.


By disturbing the familiar, he creates what he calls an Uncanny Residue. This manipulation of the quotidian, of objects that are known to the audience, disrupts our perception of everyday forms, vaguely but permanently altering how we see them.


The exhibition presents a number of sculptural experiments investigating the creation of an Uncanny Residue.

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale

May 2020 at Wellington St Projects

 

 

photo (16)

 

Fixed Object

PAUL ADAIR
KATE BECKINGHAM
DANICA CHAPPELL
KATE ROBERTSON

Exhibition opens
WEDNESDAY MAY 28th
6-8pm

Exhibition continues
May 30th – June 1st

Gallery Hours
Friday – Sunday
12-6pm

 

In ‘Fixed Object’ Paul Adair, Kate Beckingham, Danica Chappell and Kate Robertson explore contemporary iterations surrounding the ‘photographic’.

Following on from their exhibition This Has Been at c3 Contemporary in Melbourne last year, the group further investigates the logic of photography, through their independent practices, which span sculpture and photography.

 

Wellington St Projects
studio 8, 19-25 Wellington St
Chippendale

 

 

March 2020 at Wellington St Projects

Safari_WSP_invite

SafARI 2020 at Wellington St Projects

Wellington St Projects are proud to present the work of:

James Carey

Penelope Benton & Alex Clapham

OK YEAH COOL GREAT

Opening Friday March 14th

Exhibition continues 15 March – 4 April

Gallery hours

Wed- Sunday 12-6pm

Curated by Liz Nowell and Christiane Keys-Statham, SafARI exists as the fringe event for
the Biennale of Sydney, presenting new work by emerging artists across 7 diverse spaces.

The Chippendale art precinct will come alive on Friday 14 March, with combined openings at DNA Projects, The Corner Co-operative and Wellington St Projects
For full details and performance times visit the SafARI 2020 website

Please see the opening night program below


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Introducing the Artists’

Wellington St Projects are proud to introduce our SafARI 2020 Artists’ Penelope Benton and Alexandra Clapham, James Carey and Ok Yeah Cool Great.

Join us in Chippendale for the opening night of SafARI 2020 on March 14th from 6-9pm at Wellington St Projects, DNA Projects and The Corner.

Wellingtonst safari artists

Wellingtonst safari artists 2Wellingtonst safari artists 3

December 2020 at Wellington St Projects

GREEDY_HEN_invitation

Opening Wednesday December 4th

Exhibition Continues

November 6th – 8th

Gallery Hours 
Wednesday 6-8pm
Friday 12 – 6pm
Saturday 12 – 6pm
Sunday 1 – 6pm

Greedy Hen is a multi-disciplinary art collective, housing the collaborative works of Katherine Brickman and Kate Mitchell. They create imagery eluding to a playful black humour, unwritten fables, and subtle off-kilter sinister elements lurking amongst a kinder-esq beauty.

November 2020 at Wellington St Projects

PASSING_THROUGH_invitation

Passing Through has been curated by Gallery Co-Director Katherine Brickman.

Passing Through

Maz Dixon

Emily Ferretti

Marita Fraser

Amanda Van Gils

Samuel Hodge

Opening Thursday November 14th

Exhibition Continues

November 15th – 17th

Gallery Hours 
Thursday 6 – 8pm
Friday 12 – 6pm
Saturday 12 – 6pm
Sunday 1 – 6pm

 

Like the feeling of deja-vu some artworks have a hint of pre-knowing without knowing them at all. There is something simultaneously familiar and disconcerting, a sense of wanting to discover the greater story when only being presented with the tip of the iceberg. Crucial elements of the narrative are left undisclosed. The open gaps leave a space for the viewer to fill in details and come to their own conclusions, hint at action as having taken or about to take place, a questioning of what has or is about to pass. This implication of stilled time allows for a contemplation of the transient nature of the image itself.

September 2020 at Wellington St Projects

FACE_OFF_invitation_WSP

Curated by Katherine Brickman and Belem Lett.

‘Face Off’

Matthew Hopkins

Emily Hunt

Kate Mitchell

Tom Polo

Vivian Cooper Smith

Opening night 

6-8pm September 12th

Exhibition Continues

September 13th – 15th

Gallery Hours 
Thursday 6 – 8pm
Friday 12 – 6pm
Saturday 12 – 6pm
Sunday 12 – 6pm

Contemporary portraiture engages with not simply a likeness of physical being but rather the potential of the psychological to be personified in various material forms.  Face Off revels in the awkward portraits created when the concern for a likeness of a specific individual is removed. The portrait then can assume the position of being an experimental representation rather than a literal one, which questions our assumptions of what it means to create or to be a portrait. The abstract, disguised or masked subject can reveal often hidden human characteristics. In stripping back the portrait subject, whether real or invented, these artists playfully reveal the unhinged, sinister oddities of our relationship towards the face and the psychology it contains.

July 2020 at Wellington St Projects

space_is_the_place_invitation-1

The next exhibition at Wellington St has been curated by Co-Director Belem Lett

Space is the place

Alex Clapham
Mike Hewson
Deb Mansfield

Opening
6-8pm Thursday July 11th

Exhibition continues
12th – 14th July

Gallery Hours 
Thursday 6 – 8pm
Friday 12 – 6pm
Saturday 12 – 6pm
Sunday 12 – 6pm

Exploring site specific intervention and spatial interaction as modes of artistic production ‘Space is the place’ brings together the work of Alexandra Clapham, Mike Hewson and Deb Mansfield. These artists explore their individual practices through the adoption and interaction with the gallery space. Through mediated documentation, architectural intervention and structural illusion these artists reflect upon the exhibition space as being inherently present within the work rather than a space into which their work is placed.

May 2020 at Wellington St Projects

OI!_invitation

The next exhibition at Wellington St Projects, curated by the Directors Belem Lett and Katherine Brickman is:

Oi!

Sarah Contos
Will French
William Mackinnon
Julian Meagher
Joan Ross

Opening
6-8pm Thursday May 9th

Exhibition Continues
10th – 12th May

Gallery Hours
Thursday      6-8pm
Friday         12-6pm
Saturday     12-6pm
Sunday       12-6pm

‘Oi!’ explores a pop colonial landscape in Australia today. Each artist has been selected due to their multidisciplinary approach to engaging with depictions of “Australianess”. ‘Oi!’ playfully balances imagery delving into post-colonial critic, nostalgia and isolation with a prevailing sense of wry optimism and humour.

March 2020 at Wellington St Projects

RUMBLE_invitation

Wellington St Projects launches it’s program with the exhibition:

Rumble

Greedy Hen
Gregory Hodge
Kirra Jamison
Belem Lett
Dane Lovett
Tara Marynowsky

Opening
6-8pm Friday 15th March

Exhibition Continues
15th – 17th March

Gallery Hours
Fri 6-8pm
Sat 12-6pm
Sun 12-6pm

Rumble explores the cross over between representation and abstraction within contemporary artistic practice. The artworks within this exhibition bring together six artists based in Sydney, Canberra and Melbourne.

Wellington St Projects initiates it’s founding principle to foster creative exchange between a local, national and
international audience. We aim to build upon and sustain a vibrant and supportive artistic community.